And their arresting pursuit of novelty displays the kind of preternatural anticipation and timing that recalls, say, an intimate couple who can finish each other’s sentences. Hutton and Sullivan are a juggling duo with a chilled, muscular, whole-body approach to the art. The virtuosity is spellbinding to behold. You won’t just see them juggling balls, you’ll hear a tap-dancing routine composed for the hands. You won’t just see three performers juggling batons, you’ll hear the syncopated percussion they make as they do it. It’s key to elevating the tempo and atmosphere of the piece, yet the instruments of juggling provide a winning soundtrack of their own. Kreusler’s musical score runs from the ethereal delicacy of live guitar to driving electronica. A pair of jugglers – Byron Hutton and Richard Sullivan – ply their art nimbly around guitarist Samuel Kreusler, who somehow finds time to catch and bat away stray balls, even as his fingers fly through an elaborate solo. The opening gambit gives a seductive taste of how seamlessly music and juggling are interwoven.
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